Posts Tagged ‘Robert Schwartzman’

MTV has a behind the scenes video from the I Can’t Get Enough video shot.

Gotta love Louie, he always cracks me up.

Thanks to Jacqueline for sending me the link

youtube video for all you people from the UK

Get your free download of “I Don’t Wanna Lose You” from Rooney’s upcoming album, Eureka, out June 8th, 2010.
All you have to do is sign up for the Rooney newsletter below.

This might possibly be up there in the weirdest things that Robert has done…. but at least he recorded it this time

Robert’s Ustream

Here’s your chance to pre-order Eureka and get a signed copy of the album – either as a cd or on vinyl

You can choose to get either the cd for $15, the vinyl for $17 or the shirt and cd for $25.

When you pre-order the bundle with the shirt, you’ll also get an instant download of the single “I Can’t Get Enough”.

You can order the pre-order from pretty much all over the world (Brazil and Europe for sure) – shipping for the bundle to Europe is just under $10 ($9.81 I think), which makes it just under $35 in total. Totally worth it

Robert has revealed a bunch of Rooney news on his twitter

- Album release date set to June 8th
- They’ve had a prep day for a new video (to be shot on Tuesday)
- They’ve done a photoshoot

Also, the Rooney Street Team has tweeted that something exciting will be happening for Rooney fans on Monday – so stay tuned

Sorry for the lack of updates recently, I’ve been a little pre-occupied doing a little ”project” for Taylor Locke & the Roughs with some other girls.
Check out the brand new fansite on www.tlatr.com – We have bios, pictures, lyrics (corrected by Taylor himself ) and a bunch of other stuff up.
Remember to buy Grain and Grape on iTunes.

I won’t be posting too much about Taylor Locke & the Roughs on this site, so head on over to www.TLATR.com and leave us a comment

This interview with Rooney reveals that Rooney’s new album will be called Eureka Kinda fitting if you ask me
(in case you didn’t know, Eureka means something along the lines of “having found it”, it being what you’re looking for)

Interview:
Rooney Steps Back, Regroups For Future

By GARY GRAFF
Of the Oakland Press
 

 It’s been a busy time of transition for Rooney.

The Los Angeles rock quintet left its record company, Interscope, after it wound down touring for its 2008 sophomore album “Calling the World.” Then, it started working on a third album that frontman Robert Schwartzman says “wasn’t exactly the record we wanted to make,” so the group took “a step back” before starting over again in March.

That album, titled “Eureka,” was recently finished, and Schwartzman — the son of actress Talia Shire, brother of actor/musician Jason Schwartzman and nephew of filmmaker Francis Ford Coppola — says Rooney was ready to get out on the road after a long stretch of studio time.

“We’ve been working a lot, recording, and we feel like we haven’t been able to get out and play for our fans,” Schwartzman, 26, says. “We want to get new music out, but we also want to be able to play shows.

“It’s nice for people to get something new from us and come to the shows. It makes it more of an event for us and our fans.”

“Eureka” isn’t due out until next year and will most likely be released independently by the band. To tide fans over, Rooney has put together a four-song EP, “Wild One,” culled from those recording sessions and featuring songs that didn’t make the final cut — but that Schwartzman says are hardly castoffs.

“The record is really diverse, and it shows a lot of different sides to our band and what we can do,” explains Schwartzman, who’s had several acting roles and was a guest vocalist on Demi Lovato’s “Party.” “We recorded 20 or so songs and we kept going back and taking a break and listening to what we had, reapproaching the record with new material.

“As we looked at the big list of songs, some of them didn’t fit together, but they were still great songs. We didn’t want to throw them away, and we saw that we could make a great EP as a piece of work on its own and get people ready for the album, too. That way it won’t feel like such a long time between albums.”

 Credit : GoAndDoMichigan.com

Thanks to Miranda for the link

Wow, there’s quite a few things happening these days… yay

Ned

First of all CONGRATULATIONS to Sarah & Ned. Emmett Andrew Brower has been born and he looks adorable

Ned tweeted this picture from his twitter

 Ned’s been busy, he also attended the 2010 NAMM Show in Anaheim, CA, where you could catch him at the Ludwig booth

Here’s some pictures from Ludwig-Musser Drums and Percussion’s facebook

 Taylor

Taylor has been hanging out with Bleu, recording a song called Boston.

You can read more about that here :)

Flickr

Rooney is now on Flickr. See the latest pictures as they get uploaded and join the group to share your own pictures

 Robert

Robert has been talking to D.A. from Chester French. Personally I’d love to see them do something together, or at least have D.A telling Robert/Rooney a little about how to promote themselves and keep fans happy
Robert also tweeted about recording a song with Joe Jonas…
For all these juicy updates, follow Robert on Twitter

WikiName

Miranda from the Rooney street team (and Rooney-band.com) found this little thing the other day, and I found it really funny ;P

HISTORY

Rumor has it, Ed Rooney, an avid adversary of the ironically titled band, Rooney, is on the hunt for the five men who form the rock group. Apparently, the high school principal has left his Shermer home in hopes of reaching Los Angeles by the end of the week. Rooney (the principal, not the band) has been known to destroy a good time, or try to anyway. The band has declined to comment. In related news, Ferris Bueller has won the lottery.

Meanwhile, a pack of friendly guys with loose sleeves and bell-bottoms relax by a swimming pool. Never has a band been so unquestionably dutiful to a hometown. Or a home state, for that matter. Before a sun-kissed throng of Marissa Cooper’s and Summer Roberts’, with the grizzly bear flag flapping in the bonfire breeze, these guys, together known as Rooney, let the whole world know just how much they love California.

And, boy, is John Hughes insulted.

A diehard for his own home state, Hughes worked hard to convert the nation’s adolescents, in the prime of their angst, to the ear-muffed joys of the Windy City through the innocently sensual bite of Molly Ringwald’s bottom lip. (A smart man, that Hughes.) But now he scoffs at the L.A. based group that does nothing but rob this already regressing generation of what is really out there, beyond the bleached blonde shores of Southern California, to a place where sixteenth birthdays are often forgotten, where beautiful women are technologically created, and where Buzz eats all the cheese pizza. The band neglects a little place called Illinois… all in the name of a legendary 80s character.

Uniting under the mustached title of ‘Ed Rooney’ in 1999, Robert Schwartzman, Louie Stephens, Taylor Locke, Ned Brower, and Matthew Winter quickly dropped the first name, opting for a more Ferrisian effect with plain old ‘Rooney’ (hence the lack of propriety in the absence of Ed and/or “Mr.”) As harsh-weathered fans of the classic 1986 hit Italic textFerris Bueller’s Day OffItalic text, the rebellious group identified themselves in salutatory ode to the man who, in essence, made Ferris Bueller’s day off the exhilarating ride that it was.

A surprise this was not to most followers. Schwartzman, the animated lead singer and former actor, is a multi-gifted descendent of The Royal Coppolas. Nephew of Vito Corleone’s written voice, son of the shy face behind “Yo, Adrian!”, cousin of the founder of Bill Murray’s translation, brother of Max freaking Fischer; one had to only assume that his next project would somehow correlate to his insane tie to cinematic brilliance. Robert, as well as his less-genetically-privileged bandmates, often express their fervent passion for The Arts in general; whether be it music, film, sketching, or literature.

However, Rooney has established their respectable foundation based on the fact that they adore Southern California, albeit amidst a plethora of high-pitched squeals and pigtails. Such a reputation has caused many skeptics, John Hughes included, to wonder “Why not ‘Wayne‘, ‘Hasselhoff’, ‘Schwarzenegger’?”

“Why,” asks Hughes, “must you sabotage my homeland, my craft, my Ed Rooney?”

They laugh in response, their growing hair blowing out the convertible windows on a drive down Pacific Coast Highway. “Because,” they say in harmonic unison, “we’re on the trip of our lives under a California sun, and he’s still trying to catch us.”

You can find it here

THE INSIDER: ROBERT SCHWARTZMAN

Is the Rooney front man the next Robert Palmer?

Like Clark Kent (or Hannah Montana, for that matter), the musician Robert Schwartzman leads a bit of a double life. 

For some, the California native is a singer and composer for Rooney, an indie rock band that surfs between the Beach Boys’ lithium chords and the Strokes’ fuck-it-all lyrics.  For others, he’s a teen heartthrob who kissed Anne Hathaway in The Princess Diaries, to the jealous groans of a million tenth grade girls.

Now the musician throws a wrench in his own identity crisis with a new mission called Solo Bob.  The project is a series of synth-rock songs and hallucinogenic videos, all circling a character that Robert says, “I used to pretend to be in my bedroom late at night.”

For fans of Mr. Schwartzman’s musical skills, that sounds like a welcome dive into experimental rock ‘n roll.  For the screaming, crying girls we witnessed at Rooney’s Webster Hall concert on Friday night, the simple phrase “in my bedroom” should be enough to hook them, too.

Robert / Bob / OMG-that-cute-guy phoned us from his tour bus in Cleveland Ohio to explain himself.

Good morning!  How’s your tour going?  We’ve all just woken up on our tour bus in Cleveland Ohio. It’s the Rooney tour.  It is gray outside, like, really gray, and um, I think we’re between some buildings.  Usually the bus parks in some random part of town, so we get a really good view of the backs of buildings, air vents, air conditioning.  It’s a new kind of tourism.

What’s different about this tour?  We’re playing our new EP songs! And we got out of our label, so there’s a new sense of freedom.  Being independent has given us a new sense of excitement, and why we’re doing this, and why we’re going to keep doing it.

On the NYLON tour, the Plastiscines’ food of choice was french fries.  What’s yours?  Cereal and rolled up turkey slices! Those can go a long way.  But this is our 8th year on the road, so we get fed by fans, too.  They’re always really good about bringing us cookies.

Do your fans know about Solo Bob?  Um, mostly my friends who call me Bob.  But I don’t refer to myself as Bob unless I’m blogging about Solo Bob, because I think supporting The Bob, it’s a separate thing.

The Bob?  Is that like your version of Sasha Fierce?  Maybe? To me, Bob is character, and it’s also a very specific energy… In high school, I made demos all the time and I’d say into the mic, “This recording was brought to you by Solo Bob!” Those songs always became Rooney songs, because I hadn’t found myself yet, and the music I wanted to make wasn’t just music, it was a character.  Then in 2007 I started to write songs that felt different than what should be in my band.

How will we meet Solo Bob?  In videos.  It’s my goal to have a video for every Solo Bob song.  I’m pulling in all these young directors and exciting people to work with me.  For example, my cousin Roman Coppola is a movie director, a video director, and a commercial director, and he’s always really liked the sound of this project, so we’ve started to collaborate.

Um, details?  Well, I love Robert Palmer, the way he carries himself in his videos, and the way the girls carry themselves, and the airbrushed record covers.  So I showed his videos to Roman, and then we used a green screen with a different outfit for every shot… It’s a visual project as much as it’s a musical project.

When can we buy a Solo Bob record?  Not sure yet, most likely after the Rooney album cycle is over – our new album comes out in Spring 2010! 

Your birthday is coming up – on Christmas Eve.  Does that suck?  Yeah it’s kinda hard – I mean, it’s not hard when you compare it to real things in this world, but I mean, nobody’s ever around for my birthday, and I like togetherness.  I like family time and friend time and I don’t get that on my birthday because it’s this big holiday and… yeah, wow, okay, I’m a little bitter.  But I bought a fake Christmas-slash-birthday tree!  I will go on the record right now, I have the greatest fake tree ever. Nice shape, nice build, comes apart easily.  It’s awesome.
–FARAN KRENTCIL

Watch Solo Bob’s first video and download the MP3 “Victim” for free at SoloBob.com

CREDIT : NYLONMAG.COM

I know, I know… I’ve been horrible at updating and I’m kinda out of excuses… But it is the busiest month at work and I’ve had a lot going on.

First of all…. No more soundcheck at the Rooney shows.
The band has run into some venue restrictions, and has been forced to cancel the open soundchecks.
They are however, still doing the meet & greet if you buy a Wild One EP

There’s a few new video diaries in case you’ve missed them :

A collection of pop bands came to Slim’s on Sunday night to rock out in front of a small but extremely enthusiastic crowd, comprising mostly young women excited to see one of their favorite bands. Personally, I was drawn to the show by the appearance of Tally Hall, but was looking forward to a full Rooney set, having only seen them as an opener before. I didn’t know an important thing about them, though, which explains a lot.The Crash Kings started the show, and I didn’t know what to write about them. They played some bluesy rock numbers that I liked, but I was getting reviewer’s writers block, so I asked for help from my fellow Spinning Platters writers who were accompanying me.

Vanessa said: “they’re like the VH-1 version of rock.”

Joel said: “they sounded, at different times, like The Police, White Stripes, Maroon 5 and Journey. They were an unoriginal band with a good sound. Their long-term future is in being a cover band.”

Tally Hall was on next, and as they were setting themselves up, I noticed that their trademark ties had disappeared, having been replaced by vests and fake mustaches. Turns out this was just a lark, as the ties returned for their main set. What didn’t return, however, was their trademark anything-goes energy. Stuck with the prospect of a 35-minute set, the band jammed as many songs as they possibly could into the set, leaving behind most of their banter. The band has all this new material to show off, and I think a 45-50 minute set would be more appropriate for them. I felt like they were reined in a bit.

Also, they were beset with some sound issues. Some monstrously loud distorted noises were heard during their setup, scaring the crowd, and it returned as the keyboard player (green tie) turned on the vocal processor for his part in “Spring and a Storm.” Also, the microphone of Rob Cantor (yellow tie) seemed to be turned down to low so when he sang he was overpowered by the harmony vocals. And then the bass was simply just turned up too loud. Being an opening band is always a bit of a crapshoot soundwise, and it’s a shame that the sound guy sevened out on this one.

You may ask, of course, how was the new material? At first listen, it feels a lot more rock oriented than the stuff on their debut album, Marvin’s Marvelous Mechanical Museum. I think “Turn the Lights Off” has the most potential to be a fan favorite. I’m looking forward to the full length album and the inevitable headlining tour, so that I’ll be able to sit on the floor with Tally Hall again. The support band slot doesn’t seem to suit them well.

Next up was Rooney, and while there were definitely a few people that left after Tally Hall finished, the enthusiastic screaming-girl response for Rooney, particularly front man Robert Schwartzman, was deafening. What I didn’t know before signing up to cover this show was that the lead singer of the band had been “the boy she dances with” in The Princess Diaries. Not that this would have changed anything about their sugary pop sound, but maybe I would have brought heartier ear plugs.

Their 18-song set was a tight 80 minutes, including encore, and they just plowed through songs from their two full length albums as well as the entirety of their new EP, A Wild One. There was a fair amount of singing along, a few crazy jumping guys, and more of that screaming. There wasn’t a boring moment in the whole set.

I don’t know exactly what to make of Rooney. On the one hand, they clearly wish that they could have been a brit pop band, but I also hear a lot of Weezer in their sound. I can’t see any reason why they’re not the most popular band in the world, but I also understand why they’re not with a major label right now. There’s nothing gimmicky about them, and unfortunately it seems that rock bands with clear hooks aren’t all the rage right now.

They do know how to cultivate the love of their fans, though, as with a $5 purchase of their new EP, you were invited to stay after the show for a meet and greet. The post-label life for Rooney is a promising one, as they’re incredibly likeable and built to last. Pop songs may not be trendy, but they’ll never truly go out of style, and Rooney is an absolutely solid pop band.

Rooney set list:

Blueside
Stay Away
Don’t Come Around Again
Terrible Person
Are You Afraid?
Wild One
If It Were Up to Me
Daisy Duke
I Don’t Understand
Paralyzed
Rockin’ in the Free World
What For
Suckceed
Sorry Sorry
ISHBAY “I Should Have Been After You”
—Encore—
Days Keep Going By
Heart
I’m Shakin’

Credit : Spinning Platters